Thursday, October 31, 2024

Beyond Formalism in Asian Music Teaching in O and A Levels Curricula


Music is a dynamic form of cultural expression that reflects the beliefs, values, and histories of its communities. For music students in Singapore, studying Asian music traditions without fully understanding their social and historical context can lead to a shallow interpretation that misses the broader meanings embedded within these traditions. By focusing solely on musical structure—analyzing scales, rhythms, and melodies through recordings—students risk reducing music to a mere arrangement of sounds, overlooking its cultural depth. Learning to think about music within its social and historical frameworks can deepen students’ understanding of the art form, with ethnography serving as a powerful tool to instill this contextual awareness.

Disadvantages of Focusing Solely on Musical Structure

  1. Missed Cultural Nuance and Contextual Meaning
    When students focus only on musical structure, they miss the cultural and symbolic meanings that enrich the music. For instance, certain musical forms and practices in Asian traditions are inseparable from the ceremonies, rituals, or community events they accompany. Without contextual knowledge, students may not appreciate how a particular scale or rhythmic pattern is linked to a community’s beliefs or social hierarchy. This narrow approach limits students' capacity to fully engage with music as a mode of cultural expression.
  2. Limited Understanding of Musical Purpose and Function
    Many Asian music forms serve specific social functions—whether celebrating a festival, marking rites of passage, or even facilitating healing. Structural analysis alone does not reveal these functions, so students may view music as a static product rather than an active, living tradition with distinct roles in society. As a result, they may overlook how music shapes, and is shaped by, the people who perform it and the occasions it accompanies.
  3. Detachment from Music’s Transformation and Historical Background
    Every musical form has evolved in response to social and historical changes. For instance, gamelan music from Indonesia reflects both ancient spiritual practices and later influences from colonial history. By focusing solely on sound, students miss these historical layers and fail to grasp how music adapts and changes in response to external forces. This limited perspective risks fostering an incomplete understanding of music’s adaptability and resilience in preserving cultural identity.
  4. Reduced Analytical Skills for Cross-Cultural Understanding
    Music is a powerful tool for intercultural understanding, but without learning its social and historical context, students may lack the ability to draw connections between different musical traditions. An approach focused solely on structure reduces music to technical elements, making it challenging for students to appreciate the parallels and contrasts between diverse musical traditions.

The Role of Ethnography in Inculcating Social and Historical Thinking

Ethnography, the systematic study of people and cultures through observation and participation, is an invaluable method for music students to explore the context of the music they study. Ethnographic training encourages students to go beyond sound analysis, prompting them to consider the people, places, and purposes behind each musical tradition. Through ethnography, students can develop a nuanced understanding of music that includes both its structural elements and its sociocultural dimensions.

  1. Observation and Immersion in Real-Life Contexts
    Ethnography teaches students to observe music in its natural setting—such as community festivals, religious ceremonies, or informal gatherings—rather than in isolation from its cultural environment. By immersing themselves in these contexts, students can observe how music interacts with social dynamics, such as how particular groups respond to performances, how traditions are passed down, and how societal values influence musical interpretation. This experiential learning approach helps students appreciate music’s multifaceted role within a community, fostering a deeper understanding than structural analysis alone can provide.
  2. Interviews and Participant Observation for Contextual Insight
    Engaging in ethnographic interviews with musicians, listeners, and cultural custodians helps students understand the motivations, beliefs, and challenges faced by those involved in a musical tradition. For example, a student studying Chinese opera might learn from a practitioner how modernization and changing social norms are affecting its traditional forms and functions. These firsthand insights help students understand that music is not just an art form but also a reflection of societal change, allowing them to connect the past with the present.
  3. Development of Empathy and Cross-Cultural Sensitivity
    Ethnographic training promotes empathy by encouraging students to consider music from the perspectives of its practitioners and audiences. This practice nurtures cross-cultural sensitivity, as students learn to appreciate and respect different value systems, beliefs, and expressions embodied in music. Such empathy is vital for students in a multicultural setting like Singapore, where diverse cultures coexist and interact. It prepares them to engage respectfully and meaningfully with musical traditions outside their own.

Conclusion

While structural analysis remains an essential part of music education, it is incomplete without an understanding of the social and historical contexts that shape musical traditions. Singaporean music students who study Asian music through a purely structural lens risk overlooking the rich cultural meanings and historical narratives embedded within these traditions. By adopting an ethnographic approach, they can gain deeper insights into the societal and historical forces influencing music, fostering a well-rounded appreciation of its role in human culture. Ethnography not only enriches students’ understanding of music but also prepares them to become sensitive, informed, and globally aware musicians capable of engaging with the world’s diverse musical heritage.

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